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Monolithic Undertow: In Search Of Sonic Oblivion by Harry Sword will be available on 4^th February 2021 published by White Rabbit Books.

Monolithic Undertow, the first book of its kind to focus solely on drone, takes an in-depth look at the history and origins of the “mighty drone” and is available to pre-order now.

Master Musicians of Joujouka manager Frank Rynne was interviewed by the author about working with and recording the group over 25 years, the Musicians’ history and music.

The book also features The Beatles, Ravi Shankar, John Coltrane, Alice Coltrane, The Velvet Underground, The Stooges, Ash Ra Tempel, Melvins and Sunn O))), to name a few.

A statement from White Rabbit Books said: “Monolithic Undertow alights a crooked path across musical, religious and subcultural frontiers. It traces the line from ancient traditions to the modern underground, navigating archaeoacoustics, ringing feedback, chest plate sub-bass, avant-garde eccentricity, sound weaponry and fervent spiritualism. From Neolithic beginnings to bawdy medieval troubadours, Sufi mystics to Indian raga masters, cone shattering dubwise bass, Hawkwind’s Ladbroke Grove to the outer reaches of Faust and Ash Ra Tempel; the hash-fueled fug of The Theatre of Eternal Music to the cough syrup reverse hardcore of Melvins, seedy VHS hinterland of Electric Wizard, ritual amp worship of Earth and Sunn O))) and the many touch points in between, Monolithic Undertow explores the power of the drone – an audio carrier vessel capable of evoking womb like warmth or cavernous dread alike.”

The book is described by Beck as “An inspired and intuitive navigation of the drone continuum . . . with a compass firmly set to new and enlightening psychedelic truths.”

Read more via White Rabbit Books here

Pre-order your copy here

Following the postponement of the Master Musicians of Joujouka tour in Japan this year, Festival De Frue promoters have announced that the appearance would be rescheduled for 2021 or 2022.

The decision not to travel to Japan for the shows was due to ongoing uncertainty around the Covid-19 global pandemic.

Festival organisers announced that any ticket holders for the shows would be contacted with details of refunds, or to carry the tickets over to the rescheduled dates when confirmed.

The tour was set to see the Master Musicians of Joujouka return to Japan for the first time since 2017.

The Master Musicians of Joujouka were scheduled to appear with The Orb in a continuation of their collaboration debuted at last year’s Dior Cruise Show 2020 in Marrakesh.

Dates affected included scheduled appearances at Festival De Frue in Shizuoka 31^st October to 1^st November and a concert at WWWX in Shibuya, Tokyo on 3^rd November.

Festival De Frue was able to go ahead with a line-up of artists from Japan.

A statement from Festival De Frue organisers said: “Festival De Frue 2020 will be held carefully, taking measures against infectious diseases in line with world standards, such as wearing masks, temperature measurement, disinfection, hand washing and calling and ingenuity to keep things from becoming dense. To do this it may only for artists living in Japan.”

The Master Musicians of Joujouka would like to thank the promoters and everyone who had planned to see them play in Japan and look forward to seeing you at a later date when it is safe to travel.

For more information about the festival visit the Festival De Frue website

A conversation between William S. Burroughs and Allen Ginsberg has been published by the Allen Ginsberg Project, that includes Burroughs’ account on Brian Jones’ visit to Tangier and his recordings of the Master Musicians of Joujouka.

The interview includes transcripts from a July 1985 conversation that took place at Naropa Institute, between Allen Ginsberg, Gregory Corso, and William Burroughs on the occasion of a William Burroughs Conference that Burroughs attended. Part one of the serialised conversations begins here.

An excerpt of the transcript from the conversation follows:

Q: How many times have you stayed in Tangier?

WSB: Oh I’ve been there so many times. I was trying to think. I sort of definitely… The last time I was there for any length of time would be in the early, in the early ’60s.

Q: Did you spend any time with Brian Jones in Tangier?

WSB: Yeah, Indeed I did. He did come back from Joujouka and had made a number of recordings there. And we all worked at the El Minzah And he played these recordings and those later became you know, the “Brian Jones Playing With The Pipes of Pan”. [” Brian Jones Presents The Pipes of Pan At Joujouka“] But that was an awful lot of editing that went into that. And then Brian Jones died, he died just before this was finished. And the Joujuka musicians who belonged to the Union had to go up there and assert their rights to get anything out of it, because there was nothing of Brian Jones in it except the recording,

AG: Is that a famous recording?

WSB: Well it’s well-known. It was put out in cassette, and it’s really, it’s quite great.. It was not at the time of year, It wasn’t at the actual time when they have this festival. It was put on more or less for Brian Jones

Yeah

Read the interview in full at the Allen Ginsberg Project website here